Showing posts with label phil barrington. Show all posts
Showing posts with label phil barrington. Show all posts

Thursday, 20 August 2015

BarringtonArts; An invite to my new exhibition event

Dear friends and supporters,
 
It's certainly been hectic times since last summer, with many new works created and lots of side-projects initiated. You can always find my latest news on the BarringtonArts Facebook or Twitter platforms, so I recommend you hook up with me there. For this post though, I'd like to invite you to an event of free booze, food and social networking - oh, and my newest works...
 
YOUR PERSONAL INVITE TO MY NEWEST SOLO EXHIBITION

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9VCQ2eO1RxiqdesW6DE6ECUE1CVBS4Zdf53Fl2qs4oPQ5-cMSOemoFGMlW4yb1Hss3gvAO8urymOUw3Fptz8cNevP1o_LuAp6yDYE9XWcNUGc_CDPN9zO75LWu9L4msT0C47E8NmmNRNp/s1600/Invite.jpg


"FEMALES volume II (with love and in death)" by Phil Barrington
Opening Event; Friday August 28th - 6.00pm to 8.00pm.

You (plus guests) are invited to the private viewing event of my latest series of fine art mixed-media photography - held at the stylish first-floor Hamburg Gallery in the historic Hanse House complex on the South Quay riverside of King’s Lynn.

My newest series is a set of affordably-priced bold mood prints that continue to concentrate on the female form in a variety of different situations, all featured characters expressing a range of emotions within a world of constant turmoil. From a parisian boudoir to the fields of wartime England, from foggy lands of dead trees to a mournful post-Raj India, this new selection of FEMALES ultimately reflects the dark side of our society which continuously attacks the vulnerable and innocent, depicting a wounded world view of murderous revenge, despair and slavery (with a dash of hope and dark humour).

There are rare gifts to give away to three lucky attendees at the event, with complimentary wine, food, music and more throughout the evening to make the experience very special indeed.

Hamburg Gallery (1st Floor)
8 Hanse House
South Quay
King's Lynn PE30 5GN

After this Private Viewing Event on Friday 28th August my exhibition runs for the majority of September, in two distinct phases;

Saturday 29th August – Wednesday 9th September
“Moon” Phase; spotlight lighting and ambient soundtrack against a dark gallery space.

Thursday 17th September – Saturday 26th September
“Sun” Phase; natural lighting of a quiet sunlit gallery.

Manned; 10am - 4pm, not open Sundays and Mondays.

It would be really great to see you there.

Best wishes and Good Karma,

Phil Barrington

See here for more details about the exhibition and venue;


Wednesday, 12 August 2015

The Destruction of the Innocent (And Where It Got Us)

"The Destruction of the Innocent (And Where It Got Us)"   24"x18".
Phil Barrington, 2015. Giclée print from colourised transparency.

"Child poverty showed the biggest increase, with 300,000 youngsters moving into hardship, reversing a fall in the headline figure recorded in the coalition’s first year. NPI estimates 29% of UK children are in poverty after housing costs.

The study challenges Tory claims that child poverty has been reduced by 300,000 on the coalition’s watch. While that figure is officially correct, NPI says, the data on which it is based only applies to the three years between 2009 and 2012.

“The clear conclusion is that poverty in the UK is rising among all age groups,” the NPI’s research director, Tom MacInnes, told the Guardian. “The trajectory over the second half of the coalition’s term has been a bad one. The next government will be dealing with worsening, deepening poverty.”

NPI undertook the study after the government refused to bring forward the publication of official data which would have shown the impact on poverty figures of the major welfare reforms introduced in 2013, and enabled the coalition’s record to be properly scrutinised before the election.

Alison Garnham, chief executive of the Child Poverty Action Group charity said: “This important analysis shows the weakness of the claim being put about by ministers that they have got child poverty down despite making wide-ranging and deep cuts to benefits and tax credits.” http://npi.org.uk

Sunday, 17 August 2014

PRIVATE VIEWING EVENT - FRIDAY 29th AUG 2014

Dear friends & supporters,

How the devil are you all? Yep, it's another one of my seasonal e-newsletters for you to peruse at your leisure - this time with a promise of free booze, food and social networking/exhibition event...

PRIVATE VIEWING EVENT INVITE

FRIDAY 29th AUGUST 2014  ~ 6.00pm - 8.00pm

You are invited (plus guests) to the private viewing event of my latest series of fine art mixed-media photography - my first solo gallery exhibition in West Norfolk for five years - this time held at the stylish new Hamburg Gallery in the historic Hanse House complex on the beautiful South Quay riverside of King’s Lynn.

My new ‘FEMALES (in life & with death)’ series of framed prints are bold mood pieces that evoke feelings of sorrow, loss, mortality, madness, loneliness, sensuality - and even joy and surreal dark humour - with its doomed female characters.

There are absurdly rare prizes to give away to three lucky attendees at the event, with complimentary wine, food, music and more throughout the evening to make the experience very special indeed.

Hamburg Gallery
Hanse House
8 Hanse House
South Quay
King's Lynn PE30 5GN

My exhibition runs from;

Saturday 30th August - 26th September 2014
Manned; 10am - 4pm Tuesday - Sunday

The gallery is unmanned at other times, but with helpful Hanse House staff on-site.

For exhibition-themed competitions, news, event notices, short films & previews visit;
www.facebook.com/BarringtonArts and www.barringtonarts.com

** This exhibition contains nude life studies and adult themes that some people may find disturbing **

It's been a few years since I've shown such a large amount of my work in East Angila and, with us all having ever-shorter memory spans these days, it feels like I'm starting from scratch in this area again - so if you can come along to the Private Viewing and support the event in any way it'd be music to my ears - and the drinks are on me!


Best wishes & Good Karma,

Phil

Sunday, 27 July 2014

"Celestia; Poison Pact (of a Failed Artist And His Muse)"


"Celestia; Poison Pact (of a Failed Artist And His Muse)" 24"x18". Phil Barrington, 2014. Polielettronica print from colour transparency with dye. Edition of 3.

"I am unlike a mortal lass
From dreams of longing I have passed
I came upon your lonely cries
Revealed beauty to your eyes
So shun the world that you have known
And spend your nights within my own.

I shall be thy lover...

You shall be known by other men
For your great works of voice and pen
Yet inspiration has a cost
For with me know your soul is lost
I'll take your passion and your skill
I'll take your young life quicker still."
Heather Alexander.

Tuesday, 15 July 2014

"Celestia; Portrait of a Dead Muse by a Doomed Artist"



"Celestia; Portrait of a Dead Muse by a Doomed Artist" 24"x18". Phil Barrington, 2014.
Polielettronica print from colour transparency with dye. Edition of 3.

"I am a creature of the Fey
Prepare to give your soul away
My spell is passion and it is art
My song can bind a human heart
And if you chance to know my face
My hold shall be your last embrace.

I shall be thy lover...

Through the kisses that I give
I draw from you that I will live
And though you think this weakness grand
The touch of death your lover's hand
Your will to live has come too late
Come to my arms and love this fate" Heather Alexander.


PB.

Sunday, 13 July 2014

"Octavia; The Rustyard of All Conflicts"



"Octavia; The Rustyard of All Conflicts" 18"x24". Phil Barrington, 2014.
Polielettronica print with dyes and debris. Edition of 3.


“In the book 'Soldiers on the Home Front' I was greatly struck by the fact that in childbirth alone, women commonly suffer more pain, illness and misery than any war hero ever does. And what's her reward for enduring all that pain? She gets pushed aside when she's disfigured by birth, her children soon leave, her beauty is gone. Women, who struggle and suffer pain to ensure the continuation of the human race, make much tougher and more courageous soldiers than all those big-mouthed freedom-fighting heroes put together.” Anne Frank, The Diary of a Young Girl.

PB.

Sunday, 20 April 2014

Sophronia; Cervixianity [The Saviour As Woman III]


"Sophronia; Cervixianity [The Saviour As Woman III]" 24"x18". Phil Barrington, 2014. Polielettronica print from Colour Transparency with liquids. Edition of 3.

“Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns. These things and deeds are diametrically opposed: they are as distinct as is vice from virtue. Men too often confound them: they should not be confounded: appearance should not be mistaken for truth; narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ. There is – I repeat it – a difference; and it is a good, and not a bad action to mark broadly and clearly the line of separation between them.” Emily Jane Brontë.

Monday, 17 February 2014

FEMALES (in life & with death) - A new series by Phil Barrington. 2014-2015.



FEMALES (in life & with death) - A new series by Phil Barrington. 2014-2015.

Photographic studies of females from mythical, reimagined historical and contemporary times; strength, resilience, despair, gender and sensuality.

From ancient Greek mythology to the Victorian era, the Golden Age of Hollywood up to contemporary times, "FEMALES (in life & with death)" is a regular series of mixed media mood pieces - many photographs developed through the use of slides and negatives placed over organic textures and liquids.

PB.

*** All new works to be uploaded to the official Facebook page before anywhere else. Why not have a peek over there now...***

https://www.facebook.com/BarringtonArts

Friday, 14 February 2014

Experimental Photography Workshop at the Norwich Forum (Feb 22nd 2014)



I'm honoured to say that I shall be conducting an experimental photography workshop for young people (including City College students) for the Norwich Millennium Library at the Norwich Forum on February 22nd 2014.

As part of the class structure I shall be taking along a suitcase of strange and mysterious props from my studio archives for the class to experiment a whole range of photographical ideas on throughout the day.

So, if you're mooching around Norwich on that date and spot a young photographer wandering around with a broken Edwardian clock, replica human skull or prosthetic limb in their hands, you'll now know why.

Phil B.

Monday, 22 July 2013

Art Photography Now [APNv1] Course for young people, by Phil Barrington

I was very privileged to have been approached by the Norfolk County Council to run a summer-long course this year for local young people aged 13-19 who are interested in experimental art-based photography, a course which I titled; Art Photography Now [APN].

Art Photography Now [APNv1] Course for young people, by Phil Barrington & Norfolk County Council. Photographs of the first class taken July 20th 2013.







Exhibition of the young people's works coming soon...

PB.

Monday, 8 July 2013

Art Photography Now - Fully Booked


It is my pleasure to say that the 'Art Photography Now' course I am tutoring, starting Saturday 20th July for young people aged 13-19, is NOW FULLY BOOKED.

All attendees should have now received booking confirmations, I look forward to seeing all who attend, and I can't wait to see the resulting photography experiments they'll all be taking over the summer.

Best wishes, Phil Barrington.

Art Photography
N
O
W

APN v1.0

Monday, 31 December 2012

2012 In Review

It's been a funny year really, hasn't it?

For every national celebration, there's been at least another light entertainer with their conscience as clean as their hard-drive. From Jubilee to Jimmy and the whole Mayan let-down, 2012 has raised many eyebrows. Here's my year in pop culture...


2012's Movie of the Year

I didn't go to the cinema at all during 2012 (unless I've mis-remembered). Not much good stuff being released this year except for 'The Dark Knight Rises', which I didn't see upon release as I couldn't get to an iMax theatre in time (and still haven't seen it, for that reason).

Instead I turned to DVD releases, and the best one from this year, I think, is the long-overdue genre return of Alex Chandon, with the true horror story about Swaffham's history called 'In Bred'. Full of animal/man interbreeding, vegetable sex-play, extreme CGI gore, a very amusing scene involving pork scratchings, and I clearly lied about the connection to Swaffham.


'In Bred' is not a brain tickler, but still shamelessly entertaining in its 'Psychoville' vs. 'Straw Dogs' way. Oh, and 'spoiler alert', I like the fact that all the good people die brutally by the final reel, with the monstrous village characters gleefully walking off, blood-soaked and smelling slightly of sheep dung. Again, I want to state that I did actually falsify any connection at all to Swaffham.


Album of the Year

Talking of pork scratchings, it's been a great year for Gristle. I'm talking about the surviving ex-members of Throbbing Gristle and their uncharacteristically fruitful year of new releases, but I hope you appreciate the link there.

For Genesis P-Orridge, there's been the theatre and dvd release of his unforgettable pandrogynous documentary 'The Ballad of Genesis and Lady Jaye', his regular public performances state-side and, lately, a new vinyl release from Psychic TV 3.

But my album of the year lies with the other surviving (and not) members of TG (Cosey Fanni Tutti, Chris Carter, and Sleazy - RIP). After the fantastic pulsing 'Transverse' collaboration with Factory Floor earlier in the year, they decided to release three more albums this past month - 'Desertshore' being the most outstanding release, and my option for the Album of the Year 2012.


X-TG's 'Desertshore' is an album I am not going to describe, as I - too often - ramble on more than a bearded naturist. But, in a nutshell, it is a loose adaption of the Nico album of the same name, it is elegiac in its expression, with unusual guest vocalists and outstanding electro-experimentation, and its the most brave and strongest release this year by leaps and bounds. Thoroughly Recommended. Get it now. Get it. Get it. Get it. Get it.

Other album highlights of the year include John Cale's return from 'Nooky Wood', 80% of Lana Del Ray's debut album, great reissues of the Manics debut album (a desperately needed remaster) and the 'Velvet underground and Nico' classic came out in a rather cheeky super deluxe edition.



Book of the Year

It has to be "Unknown Pleasures - Inside Joy Division" By Peter Hook. Whilst everyone else were seemingly fantasising about being whipped and bound prostitutes in a concentration camp cell (Mummy Porn, I'm looking at you), I was reading about Joy Division. And there's a grim joke there, if you look for it.


This book was finally the authentic 'band' account that I was wanting for decades (yes, another in-joke), after I felt Deborah Curtis's book to be (understandably) too blinkered, mono-focussed, and overtly-subjective to be the final word on poor old Ian and the band.

Which moves me on to...


My Personal Highlight of 2012

Hacienda Records recently invited me along to the soundcheck of Peter Hook's 'Unknown Pleasures' gig in Norwich, to do some snaps for their instagram feed. If that whole experience wasn't memorable enough, Peter performing New Order's 'Dreams Never End' to myself and only three other people was THE creative highlight of my year. Exhibiting my works in New York this year for the first time was good, but that intimate performance was better.



Pop Culture Event of 2012

"Paedo-McCarthyism". Let's be honest with ourselves for a moment. Since Savilegate first happened, we've ALL been compiling a mental list of the light entertainers which we think are next to, um, feature on a 'list'. Nervous glances towards Bob Carolgees, both Krankies, the rage-fueled Shakin' Stevens, and Freddy (out of Rod, Jane, and... fame) all made us feel queasy as we were forced to become revisionist regarding the nation's seemingly innocent TV past. NOT that I am implying that anyone I've mentioned above are involved in ANYTHING untoward or unseemly. Beyond their stage acts, of course.

Which brings us nicely to...

2012's Most Bizarre Moment

...Which has to be the Yorkshire Ripper's character reference for Jimmy Savile. How Post-Modern do we become when we have a serial killer vouching for the 'innocent' behaviour of a TV light entertainer?

After Savilegate turned everyone's childhood memories of seeing Edd the Duck at a seaside roadshow into something much more sinister, Peter Sutcliffe spoke out to the tabloids, saying that Jimmy Savile was NEVER involved in the slaying of women - at least not the same rampage that he was involved in - and that Savile was an all-round nice geezer as far as he was concerned - a chap who would come into Sutcliffe's prison and spend quality time with him; bear hugs, playful fireside wrestling, etc.


Card games of Rummy and Uno were not mentioned by Sutcliffe, though the image of them both crouched over 'Hungry Hippos' is perhaps slightly less disturbing than Savile and Sutcliffe taking turns playing 'Operation' together.

Well, that was my year. What was yours??

PB.